Santa Maria rocked out this spot with Huma Huma for Sony’s ‘Don’t Walk Alone‘ campaign which takes to guerrilla-type tactics in Paris via projected wall animations, in-all, promoting Sony’s Walkman.
Santa Maria rocked out this spot with Huma Huma for Sony’s ‘Don’t Walk Alone‘ campaign which takes to guerrilla-type tactics in Paris via projected wall animations, in-all, promoting Sony’s Walkman.
Fallon and Stink produced these new spots, continuing the “You are what you shoot” campaign for Sony’s T100 Cybershot. (via Best Ads on TV).
“As soon as I touched a camera I knew it was for me. Started bangin around at newspapers in the city, free newspapers, and I got a job at the Amsterdam News shooting pictures where I was getting paid $15 a photo and a roll of film cost me $8, processing was $7 subway tokens total were $4 so I didn’t make much money. But I was a photographer.”
In a unique collaboration of filmmakers and ad-industry veterans from multiple disciplines, the work and stories of photographer Chi Modu will be showcased in an upcoming film project. As the Director of Photography at The Source magazine, Modu experienced the launch of rap and the hip-hop movement first-hand. His photographs have graced countless magazine and album covers and the film tells the story behind the images of the artists that helped shape our popular culture. In the film, shots of Snoop Dogg, NWA, Tupac, Biggie, Puffy light the screen while Modu adds depth and dimension to the experience, using imagery, stories, and music.
Currently an eight-minute short that will be made into full feature, the film is directed by Albert Maysles of Maysles Films and edited by Michael Saia of jumP. The project chronicles the explosion of a musical genre and the photographer who captured that movement. Chi delivers a voice to his photography, adding another sensory dimension to the story of how hip-hop became entrenched in popular culture.
Imaginary Forces created this broadcast ID package for Spike TV, presenting the cable networks’ predominantly male viewers with a rapid-fire succession of images culled straight from the manly world of fast cars, blazing guns, beautiful women and furious fists.
Probably the weirdest Mac’s commercials for the weirdest Mac’s product. BOS Toronto created these spots for Mac’s new slushy called WTF? (check out Hose Leg).
(Twenty one titles added : watch Open, Animation, Art Direction, Campaign, Cinematography, Copywriting, Editorial, Graphic Design, Humor, International, Low Budget, Musical Arrangement, Next, Original Music, Performance Dialog, Production, Production Design, PSA, Single Commercial, Sound Design, Visual Effects and Visual Style).
Version2 ceated a fantastic animated opening title reminiscent of surreal artists Salvador Dali and Rene Magritte, as well as event installations and DVD packaging for the 2007 AICP show held June 5th at the MoMA, NYC. ‘The environments were primarily digital matte paintings, created in Photoshop and then imported into Autodesk Inferno … The 3D was created in both Cinema 4D and Maya and combined with numerous 2D After Effects elements. To create depth on the foreground objects, everything was projected in Inferno onto 3D geometry.’
A second spot for Wrigley‘s, this time the posse of vinyl food characters (some of the originals + some new) follow a young woman as she gets ready to go to a party. Directed by Jonahan Baker, character design by Morten Rowley, visual fx by FUEL and music by Nylon, all combined for DDB Sydney.
Massmarket‘s latest spot for GMC breaks down barriers from a 1935 CHEVY through to the 2007 Sierra Denali.
DGPH has a 12″ glow-in-th-dark, screenprinted inflatable mole, limited edition with GID ink and transparent body. Dark Bubble Mole will be on display at the San Diego Comic Con and available for sale at ToyQube.
Trollback just completed a trip through the 70′s with a great animation for a show on History Television called Hippies.
A sweet set of artwork has put up Micheal Young over at his flickr. Designgraphik, Weworkforthem & Submethod, published and random work from 2000 until today.
head on over to the History of America website, and check out the MK12 website for a new reel and work. Stay tuned to the news on the HoA website for updates on film festivals and screenings.
cheers
Directed by Brett Foraker of RSA Films, post-production by Fallon carried out by The Moving Picture Company, Lasers is set in a power station cooling tower, designed to show the audience how the new Blue-ray technology can heighten our entertainment experience.
From directors Nick Thornton-Jones and Warren Du Preez of Wanted Films, Glassworks developed a 3D particle code to create amazing light trails and nebula effects. “The digital effects were never meant to overpower the piece so great care was taken in keeping the reality in each shot. Extensive clean up on the time slice footage was performed in flame as well as compositing 3D and live action elements.”
